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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He later founded the innovative electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of health issues.

"I ended up damage myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and fractured about five ribs and broke my arm."

Following contracting a lung infection and suffering from sepsis, he was put in an induced coma and remained in the hospital for seven months.

However, he had been in "high spirits emotionally" during the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for release next year.

"He was focused and very pleased with the new album that we literally completed only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my existence and for the songs you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, extraordinary, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with his new family his caregivers, who changed his given name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both learning art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant performer, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on BBC program a popular series, and started to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling song of 1981, shifting millions of copies globally. Together with hits by other artists, Human League and electronic acts, it contributed to cleared the path for the electronic music style of the 1980s.

The track was also featured on their first album, their initial LP, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having money and travelling, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford substances to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many bands."

During the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the charting album Cruelty Without Beauty.

Following a further break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's new album as a homage to the New York club scene they frequented while making their first two albums.

He added that his time in hospital had shaped the group's music.

"I experienced strange recollections when I was in and out of the hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times me and Marc had in the 80s."

The final mixes were finished only a short time before Ball died. It is scheduled for release in the spring of 2026.

About the author

Mary Jackson

A seasoned gaming analyst with over a decade of experience in casino reviews and strategy development.

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